Reflections can also incorporate repeating patterns, symbols, and symmetry into a composition.įortunately, photographers can find reflective surfaces just about anywhere. In photography, we can use reflective surfaces to create an artistic echo of a subject or scene. Reflections have the power to transform an otherwise ordinary scene into something truly inspiring. You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.Open up a whole new world in your photography with these creative tips for working with reflective surfaces. Had the sky been filled with clouds, or a beautiful sunset, I may not have gotten the images I did, the ones I love, the ones which suggest stories of another world in that old, forgotten place. The fun part about it is the lack of technology involved, the simplicity of it, and the ability to create art because of undesirable conditions. this isn't a compilation of images sewn together in Photoshop this is one image." The only editing I'd done, was with coloring and tone. When I show these photos to others, several comment on the editing between two subjects. In other words, the bad lighting forced me to shoot more creatively. What I liked about it was the fact that the very conditions that originally made photography difficult - namely the flat, harsh lighting - were the ones that actually helped me get those strong reflections leading to photos that were quite interesting. Once I did this a few times, I became enamored with the style, and I ended up with a bunch of shots that I love. ![]() When I pulled the lens very slightly away from the window, I got a blurred edge, which looked like the two worlds were just barely meeting. But on the other side of the frame, the dust-coated windows reflected the ghost town behind me. Where the lens produced shade, I could see inside the home. As I started playing around with this technique, tilting the camera to one side or the other, I discovered a new effect. I had been using my camera lens placed against the glass to peer into the buildings and take photos. I liked the shots I was getting, but I wanted to be more creative. ![]() I started shooting through the windows, into the abandoned homes and buildings (the public could enter only a few structures). I was surrounded by the wild west.īut once I got all that excitement out of my system, I began to curse the harsh midday lighting, the flat sky, and even the other tourists who seemed to be everywhere that I wanted to photograph. Every direction I faced there was something to be photographed. ![]() At first I just shot everything I saw, because heck, I was in Bodie! Everything looked fantastic. We got there at 9 o'clock in the morning, and the sun kept climbing higher in the mostly-cloudless sky. It puts the imagination in high gear, to walk among the remains of an old western town. This place is a photographer's dream, set in an isolated, rural area with buildings and roads forgotten by time. Day one of the event, we drove out to the old ghost town of Bodie. This image is from the Eastern Sierra workshop this past June. As a result, I've discovered some new techniques, one of which I want to share with you today. One of the advantages to being Derrick's assistant is that I get to shoot at photo workshops right alongside the participants. ![]() Editor's note: Leah Gerber contributed this post.
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